Jenna（Bailey McCall）用名字的馅饼如“棉花糖美人鱼”和“被我的鸡蛋背叛”。In her mind, baking ingredients — “sugar, flour, butter” — can be a kind of mantra with totemic power, and Sara Bareilles’ gorgeous music has the foodstuffs call and respond to each other, as if they’re echoing in a mighty church rotunda.
如果您在旧金山没有看到“女服务员”去年，百老汇圣何塞为湾区观众提供了另一个机会捕捉托尼提名的音乐剧。
珍娜将她的感受烧成了她的幻想派食谱 - 直到她爱上了那些不是她丈夫的人，而另一个债券即将把她绑在一起，这仍然进一步绑定她的不善丈夫。
It’s equal parts tender and uproarious, with whimsical direction by Diane Paulus, as it tells the sort of story that doesn’t typically make it to Broadway — that of a private, hardworking woman in the heartland who finds, in what some might call a dead-end job, a path to imagination, passion and strength.