Pro tip: Never ever express an opinion about a movie you haven’t seen

Never ever express an opinion about a movie you haven’t seen — not if you want to be taken seriously by a film critic

Greta Garbo and friends in “Queen Christina” (1933).

Photo: MGM 1933

Whenever I meet people and tell them what I do for a living, we inevitably end up talking about movies. Usually, people want to tell me about movies they’ve seen recently, or about their favorite movies, and they hope I’ll agree with them.

I usually do. I’m an agreeable guy.

Then I get the two questions every film critic gets asked: How many movies do you see in a week? And what’s your favorite movie of all time?

Now, these are not my favorite questions, mainly because my answers tend to disappoint people. They’re often hoping I see 20 movies a week, not five. And my favorite movies — films like “Queen Christina” (1933) or“Lady of the Night” (1925)— are ones most people probably haven’t seen.

Norma Shearer plays rich girl Florence (left) and poor girl Molly (right) in “Lady of the Night.”

Photo: MGM 1925

Still, I want to make this clear: I’m pleased that people actually want to talk to me. And I totally get it — if I meet a dentist, we’re going to talk about teeth. If I meet a therapist, I’m going to practically lie on a couch and start whining about my father. When you know nothing about a person except for their job, you’re going to wind up talking about their job.

However, you should know that there is one thing you must never, ever say to a film critic, if you want to be taken seriously, you must never insist that a movie is terrible if you have not seen it.

That sounds obvious, right? I mean, who would do that? Well, actually, lots of people — and often.

For example, I recently spoke to a woman about a comedy I’d recommended. She said it was terrible. I was surprised, and then she added, “I watched it for five minutes and felt my brain cells dying, so I turned it off.”

Five minutes? That means she hadn’t seen the movie. Yet there was no dissuading her. She was sure she knew more than I did, even though she knew exactly nothing.

Stopping a movie after five minutes means you have forgone your right to have an opinion about it, Mick LaSalle writes.

Photo: demaerre/Getty Images/iStockphoto

Of course, I understand that sometimes you’ll put a movie on and decide, on second thought, you don’t want to watch it. That’s reasonable. Sometimes you’re not in the mood or something might rub you the wrong way. But in that case, you must realize that in exchange for the relief of not watching the movie, you have forgone your right to have an opinion about it.

As a film critic, I am often in the position of generating opinions about movies I don’t feel strongly about. These are sincere opinions, but I have to come up with them based on seeing movies from beginning to end — the great, the horrible and all those in between. Often, especially with the in-between ones, I’d rather not have an opinion at all, but that sort of goes against the job description.

Perhaps as a direct result of this — of being paid, in a sense, to act like a know-it-all — I really don’t understand the pleasure taken in impersonating a know-it-all in daily life. I don’t get the joy of holding utterly baseless opinions.

Adam Devine (left) and Zac Efron appear in “Mike and Dave Need Wedding Dates.”

Photo: Gemma LaMana/Associated Press

I should add, baseless opinions are almost invariably negative opinions. Not once have I had someone say to me, “I haven’t seen that movie, but I know it’s wonderful!” Or “I watched five minutes and was interrupted, but already I know it’s a masterpiece!” Apparently, it’s only negative opinions that produce the endorphin rush of informed righteousness.

That sense of righteousness is an illusion. Clutching to one’s right to have an opinion based on nothing is wrong — and not only intellectually wrong. It strikes me as morally wrong. The damage it can cause may be minor when the topic is the relative merit of a comedy like “Mike and Dave Need Wedding Dates” (2016). But the consequences can be major when it comes to interpersonal relations or politics.

Yet all of us probably do this to some degree. Some do it a little, and some do it a lot. But when I catch myself doing it, I stop.

Seriously, until you’ve tried it, you don’t know how freeing it feels, how refreshing and clean it feels, to just say, “I don’t know.”

Reach Mick LaSalle: mlasalle@sfchronicle.com

  • Mick LaSalle
    Mick LaSalle

    Mick LaSalle is the film critic for the San Francisco Chronicle, where he has worked since 1985. He is the author of two books on pre-censorship Hollywood, "Complicated Women: Sex and Power in Pre-Code Hollywood" and "Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man." Both were books of the month on Turner Classic Movies and "Complicated Women" formed the basis of a TCM documentary in 2003, narrated by Jane Fonda. He has written introductions for a number of books, including Peter Cowie's "Joan Crawford: The Enduring Star" (2009). He was a panelist at the Berlin Film Festival and has served as a panelist for eight of the last ten years at the Venice Film Festival. His latest book, a study of women in French cinema, is "The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses."