在“波浪”中观看英镑棕色，“很难想知道是否有像爱人那样太多，而且太难了。
“这是我们”演员在11月22日星期五的电影开盘上描绘了一个善意但残酷严谨的父亲，这是一个紧紧伤的族长，努力推动他的十几岁的儿子（Kelvin Harrison Jr.）争取完美 - 作为运动员，一个学生和一个不可用的非洲裔美国男性成功的例子。
换句话说，父母的强度可以保护他的孩子免受世界上不可避免的伤害和危险的危害实际上最终伤害不仅仅是博尔斯特利？是“艰难的爱”真的很难吗？
“我想是这样。我真的这样做了，“Trey Edward Shults说。
The 30-year-old writer-director established his reputation as a daring and wise-beyond-his-years filmmaker attuned to the tense undercurrents in families with his first two movies: his indie breakout“克里希纳”（2016）和“它在晚上来了”（2017年），作为恐怖轻弹的家庭戏剧重新循环。
“One thing that’s key to me about this movie is that it’s about love,” Shults said during a recent visit to San Francisco with “Waves”’ co-starsHarrison(who drew raves earlier this year for his performance in“劳乌斯”）和Newcomer Taylor Russell，两位25人在涡旋中扮演南佛罗里达州的兄弟姐妹。“爱情可能是破坏性的，它也可以治愈。这是两部极端电影的核心。我已经给了这很多想法。“
显然，董事有。The message that love trumps hate, that we’d all be better off, as family members and as citizens, if we defaulted to acceptance and forgiveness instead of judgment, suffuses nearly every scene in his emotionally wrenching, largely autobiographical third film that he calls “without a doubt by far the most personal thing I’ve ever made.”
It’s a telling statement, considering Shults cast his aunt as the lead in “Krisha” and shot the film in his mother’s home.
德克萨斯州现在生活在佛罗里达州的德克萨斯州，塞拉德堡套装“浪花”，用佛罗里达州少年的阳光射击的电影，前往派对和海滩，车窗下来，陷阱音乐爆破，暂时的生活压力暂停。
一切都适用于18岁的明星摔跤手泰勒（哈里森） - 直到一系列悲惨的误解（伤害，成瘾，瓶装愤怒，一个壁挂运气）螺旋他和他的整个家庭进入混乱。“浪潮”探讨了他们的个人在暴力行为和不可想象的损失之后努力治愈。
这是一个异常和宽大的结构化的薄膜，分为两个不同的部分：从泰勒的透视和第二个，一个平静的部分，据姐妹艾米莉的眼睛讲述了初恋的滋补作用。
甚至在好莱坞,很少有人听说过“波” when it premiered in August at the Telluride Film Festival. Shults introduced the film, which he said had been “gestating for 10 years, and which I put so much of myself into,” at its first screening while fighting back tears at the mike.
两个小时后，积极的嗡嗡声开始了，众多批评者称为它作为观看颁发赛季的标题。
Shults, who, like the fictional Tyler, was injured as a high school wrestler, said it’s hard to pinpoint a single inspiration behind “Waves,” but that it drew on “feelings, lots and lots of feelings, and memories. A lot of what happens to Tyler actually happened to me, or people I know or my loved ones.”
He sent the first draft of “Waves” to Harrison, who appeared in “It Comes at Night.” As the filmmaker and actor opened up to each other about the family dynamics and pressures they each felt growing up, Shults, who is white, said the fictional Tyler became a kind of hybrid of each of their adolescent selves, and race took on a more central role.
“我不认为这是一部主要关于种族的电影，但我认为我们试图展示对这个特殊家庭特有的细微差别，”赫拉斯说。
“We talked about my relationship with my dad, my sister, my romantic relationships, trying to put in little things that would make it easier for me to dive in,” said Harrison, who was a talented high school trumpet player in New Orleans. “Tyler’s dad in a lot of ways reminds me of my dad (professional jazz musician Kelvin Harrison Sr.) and this obligation to be great, to service the legacy a father wants to leave. What does that do to Tyler in return? What’s the toll of having expectations thrust on him from previous generations?”
One of the film’s standout scenes is a father-daughter conversation toward the end while Russell and Brown are fishing together on a lakeside bench and trying to reclaim some closeness.
“我们所拥有的只是，”父亲对他的创伤女儿说。“我告诉过你，因为我爱你。坚持那么多的仇恨将摧毁一个人。“
“我的另外两部电影在创伤中的一端，这是我第一次想要推动创伤并达到另一边，”障碍说。“在我的经历中，有些人的生活可以在他们最低的时刻结束，但对于别人来说，如果你推动，就有可能是下一阶段，另一方面是一个。那对我来说真的很漂亮，那些高点和低点，并再次通过最糟糕的创伤。如果发生这种情况，它可能是生活中最有价值的事情。“
“Waves” (R) opens Friday, Nov. 22, in Bay Area theaters.
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